Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 (2018) See Red Women’s Workshop Posters [in in group exhibition “Still I rise"]. [Artefact] ...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 (2018) The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal ...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 (2018) 'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London. [Film/Video] ...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 (2016) Through the air with the greatest of ease: phonogenie. Seismograf/DMT journal . [Article] ...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 , Stevenson, Pru , Baines, Jess and Mackie, Suzy (2016) See red women's workshop: feminist posters 1974 -1990. Four Corners Books...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 (2015) Que sera: time travel and physical thinking. In: Psi19 Now and Then, 26-30 Jun 2013, Stanford University, Palo Alto, US. . ...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 , Fox, Charlie and Smith, Grant (2015) Inspiral London: collaborative artists' walking project. [Performance] ...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 (2014) Over Time: art project 2014. Stephen Lawrence Gallery, University of Greenwich, National Maritime Museum, Thames Foreshore, Lo...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 (2012) The elusive digital frame and the elasticity of time in painting. PhD thesis, The Cass, London Metropolitan University. [Thes...
Robinson, Anne ORCID: https://orcid.org/0000-0002-0478-3546 (2010) Traveling eye: the elusive digital frame and the elasticity of time in art. Journal of Media Practice , 11 (3) . pp. 215-22...